ches smith New York, New York
Ches Smith plays drums, vibraphone, electronics, and composes music for Ches Smith/Craig Taborn/Mat Maneri, We All Break,
Laugh Ash. He has released records on Pyroclastic, ECM, Asian Man, Cleanfeed, and Skirl Records.
Ches also collaborates with Marc Ribot, Mary Halvorson, John Zorn, Darius Jones, Secret Chiefs 3, Tim Berne and James Brandon Lewis.
... more
If you like ches smith, you may also like:
Path of Seven Colors
by Ches Smith and We All Break
supported by 8 fans who also own “Bullshit Moon Landing”
so much great stuff on this record, from joy to riot and from shredding solos to magical interplay. a stunning example of the great musicians combining hearts and souls to a big project and coming up with something new that feels like it could go on and on!
go to album
supported by 5 fans who also own “Bullshit Moon Landing”
Dan Weiss and David Lynch. no comment necessary
go to album
Interpret It Well
by Ches Smith
supported by 5 fans who also own “Bullshit Moon Landing”
I first encountered Ches Smith via Tim Berne's Sanke Oil. In October 2023, I found him again, live with Ceramic Dog. This album grew on me QUICK! An unbelievable amalgamation of talent and expression.
go to album
St Celfer returns with tracks culled from a series of live shows, each one a showcase for his inventive experimentalism.
go to album
Seattle’s St Celfer returns with four more boundary-breaking electronic compositions sparked with sudden bursts of melody.
go to album
StC Lives I: 51-61-74
by St Celfer™
Seattle’s St Celfer writes immersive electronic songs that encompass both haunting beauty & wild experimentalism.
go to album
Hope
by Marc Ribot's Ceramic Dog
supported by 5 fans who also own “Bullshit Moon Landing”
Stylistically a kinder, gentler Ceramic Dog album. Don’t get it twisted, Marc is still very much pissed off. His lyrics offer much fuel for interesting conversation. The band sounds less rigid and more elastic in their sound this time around. Maybe it was the unique method of recording this one, but it stands as their most eclectic release. Not sure why they left off the “7.83 Hz” track from the digital release, however…
go to album
