1. |
Noise to Men
05:48
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2. |
Difference
01:35
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3. |
Identity
01:53
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4. |
Bullshit Moon Landing
03:11
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5. |
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6. |
Interlude
02:02
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7. |
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8. |
Freeze/Melt
06:39
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9. |
Omar and I
03:27
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10. |
Pressed On
06:01
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ches smith New York, New York
Ches Smith plays drums, vibraphone, electronics, and composes music for Ches Smith/Craig Taborn/Mat Maneri, We All Break,
Laugh Ash. He has released records on Pyroclastic, ECM, Asian Man, Cleanfeed, and Skirl Records.
Ches also collaborates with Marc Ribot, Mary Halvorson, John Zorn, Darius Jones, Secret Chiefs 3, Tim Berne and James Brandon Lewis.
... more
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Path of Seven Colors
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supported by 8 fans who also own “Noise to Men”
so much great stuff on this record, from joy to riot and from shredding solos to magical interplay. a stunning example of the great musicians combining hearts and souls to a big project and coming up with something new that feels like it could go on and on!
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supported by 5 fans who also own “Noise to Men”
Dan Weiss and David Lynch. no comment necessary
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Interpret It Well
by Ches Smith
supported by 5 fans who also own “Noise to Men”
I first encountered Ches Smith via Tim Berne's Sanke Oil. In October 2023, I found him again, live with Ceramic Dog. This album grew on me QUICK! An unbelievable amalgamation of talent and expression.
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St Celfer returns with tracks culled from a series of live shows, each one a showcase for his inventive experimentalism.
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Seattle’s St Celfer returns with four more boundary-breaking electronic compositions sparked with sudden bursts of melody.
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StC Lives I: 51-61-74
by St Celfer™
Seattle’s St Celfer writes immersive electronic songs that encompass both haunting beauty & wild experimentalism.
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Hope
by Marc Ribot's Ceramic Dog
supported by 5 fans who also own “Noise to Men”
Stylistically a kinder, gentler Ceramic Dog album. Don’t get it twisted, Marc is still very much pissed off. His lyrics offer much fuel for interesting conversation. The band sounds less rigid and more elastic in their sound this time around. Maybe it was the unique method of recording this one, but it stands as their most eclectic release. Not sure why they left off the “7.83 Hz” track from the digital release, however…
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